To the innkeeper and his guests, Don Quixote's imagination is a spectacle and a way for them to entertain themselves at someone else's expense. They do not see what he sees, and so they mock him. Their world becomes colder and crueler because of this; they will not permit their imaginations to see a greater beauty in the world, and so for them this beauty not only doesn't exits, but is worthy of derision. This makes Cervantes point about fashioning the world in the way we want it to be even stronger than Don Quixote's fancifulness on its own.
Another incident that illustrates the same basic points comes closer to the close of the novel, when Don Quixote dreams that he is fighting a giant. During the course of the dream, he slashes open wine skins, believing he is spilling the giant's blood and even severing its head, thus fulfilling the quest he has set for himself. When the landlord sees what he has done, he leaps upon Don Quixote, "and with his clenched fist began to pummel him in such a way, that if Cardenio and the curate had not dragged him off, he would have brought the war of the giant to an end" (Cervantes, chapter XXXV). The landlord is enraged about his spilled wine, and meanwhile Don Quixote doesn't wake up even with the severity of the beating he receives. The tow men's different views on what happened clearly illustrate the creation of beauty -- and despair -- through the interpretation of the mind.
When Don Quixote finally awakes, he does not believe that he has had a dream, but rather is convinced that he has, in fact, slain the giant....
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